The film investigates the revolutionary figure of Bhimrao Ambedkar, who led the struggle for emancipation of his people, earned doctorates abroad, and came to write the country’s Constitution, eventually rejecting Hinduism’s repressive castism in favor of Buddhism.
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Shot over fourteen years, this masterpiece made by the foremost Indian documentarian investigates the fraught circumstances of the country’s Dalits, denigrated as “untouchables” for thousands of years, denied education, access to religious institutions, and allotted the lowest forms of manual labor. Premiering in Spain with this screening, Jai Bhim Comrade traces the atrocity of caste in India through the songs, poetry, and resistance culture from below. This coming-into-being, however, is no exorcism or redemptive return-to-forgetting, but, to reanimate Derrida’s words, presents an ethico-political imperative: to “learn to live with ghosts, more justly.”ĭigital, Original version, subtitled, 199’
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As such, this series offers a ciné-politics of decolonization that offers a critical antidote to pervasive amnesia, and a space where the post-militant image can be revisited. To be sure, most of the films in this series bear little resemblance to the collective revolt of militant cinema yet they do advance the erstwhile commitment to documenting violence, struggling against repression, refusing to forget, and striving for a better world. At the same time, the program alludes to the history of militant cinema, what the Argentine Octavio Getino, a film-maker and theorist of Third Cinema, would call ciné-politics, a popular and radical image that embodied the critical legacy of Avant-garde movements. The series borrows its title from the recent film Spectres of Sven Augustijnen (2011), examining the disquieting presences from times outside of the contemporary, it offers less an iconography of otherworldly beings than a conjuring of haunting disturbances existing at the edges of representation. The inclusions, diverse and necessarily incomplete, represent powerful examples that join poignant aesthetic formulation to inspiring political commitment, and have been drawn from a range of geographical contexts that reference history, culture, and politics in Europe, Asia, and the Americas. Still others speak to the unfulfilled promises of the past that continue to live on, dormant in our present. Some phantoms arise from past injustices and political traumas, some apparitions, of catastrophic times to come. This has exacerbated the operational challenges faced by airlines and passengers alike.Specters: A Ciné-politics of Haunting gathers a selection of recent international film and video that conjures the hauntings of our collective cultural imaginary. While it can accommodate smaller aircraft like the Boeing 737s or Airbus 320s, it struggles to handle larger aircraft such as the Boeing 777 and above. Observers on the ground have also noted a critical issue – the capacity of the new terminal. Travelers have voiced their concerns about the lack of preparedness and the inconvenience caused by the hasty move. They have shared strenuous experiences with arriving airlines and baggage handling, painting a picture of disarray at the airport. Social media platforms have become a sounding board for passengers’ grievances.
The result has been a paralyzing gridlock, leaving passengers at “sixes and sevens without direction.” Reports suggest that the airport’s management and authorities were unprepared for the scale and complexity of transferring operations from the old terminal to the new one within such a short timeframe. Since the abrupt relocation, passengers at MMIA have been struggling to navigate the ensuing chaos. While the relocation was initially slated for October 1st, 2023, the urgency of the situation necessitated an accelerated timeline. To ensure the safety and security of travelers, the Federal Airports Authority of Nigeria (FAAN) made the swift decision to redirect passenger processing to the New International Terminal, effective immediately. The fire outbreak at the International Terminal 1 of MMIA triggered an immediate response from authorities. This sudden change has caused significant disruptions and discomfort for passengers, shedding light on the challenges faced by the aviation industry in the region. Lagos’ Murtala Muhammed International Airport (MMIA) faced a fire incident on September 6th, 2023, which led to a hurried relocation of flight operations.
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